{"id":61074,"date":"2019-08-14T15:36:08","date_gmt":"2019-08-14T12:36:08","guid":{"rendered":"https:\/\/wp.929.org.il\/?p=61074"},"modified":"2023-03-07T14:50:33","modified_gmt":"2023-03-07T12:50:33","slug":"davids-valedictory-a-poetic-analysis","status":"publish","type":"post","link":"https:\/\/wp.929.org.il\/en\/davids-valedictory-a-poetic-analysis\/","title":{"rendered":"David\u2019s Valedictory: A Poetic Analysis"},"content":{"rendered":"<div class=\"entry-content\"><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[281],"tags":[362,569],"acf":{"old_id":"61074","type":"no","iframe":"","writer":34243,"related_cahpter":"285","type_929":"2","show_author_image":false,"old_create_date":"","old_url":"","post_main_content":{"description":"Key, rich Hebrew terms deepen our understanding of the stark imagery employed","content":"<p><span style=\"font-weight: 400;\">Here, we have, in classic biblical poetic form, David\u2019s own retrospective on his forty-year reign, composed, as the opening verse indicates, \u201con the day that God had delivered him from the hands of Saul and all his [other] enemies.\u201d From a textual perspective, we should note that the poem repeats itself, essentially, in the form of Psalm 18. Indeed, well-known to many is the appearance of the final verse\u2014#51 in both texts\u2014in the Grace after Meals, wherein the alternation between two versions of M-G-D-L (<\/span><em><span style=\"font-weight: 400;\">magdil<\/span><span style=\"font-weight: 400;\">\/<\/span><span style=\"font-weight: 400;\">migdol<\/span><\/em><span style=\"font-weight: 400;\">) is assigned to weekdays versus Sabbaths and festivals.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In previous texts (specifically Exodus 14-15, Judges 4-5), we have seen narrative accounts alongside poems and acknowledged that comparisons between the two would be productive. In the present case, however, a comparison would be constrained by the sheer size of the narrative that would have to be contrasted: the entire book we call 2 Samuel and a goodly portion of its predecessor, too, all of which fits the aforementioned qualification of deliverance from both Saul and other enemies. That said, we can still focus on particular aspects of it.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I would like to look at verses 5-6, following the old (1916) Jewish Publication Society translation:<\/span><\/p>\n<p style=\"padding-left: 30px;\"><span style=\"font-weight: 400;\">For the waves of Death compassed me. The floods of Belial assailed me.<br \/>\n<\/span><span style=\"font-weight: 400;\">The cords of Sheol surrounded me. The snares of Death confronted me.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In condensed paraphrase, David was saying: \u201cI was in mortal danger,\u201d comparing the threats to his life, first, to being engulfed by water and, second, to being ensnared in a trap. Reading it somewhat more closely, however, makes several finer distinctions possible.<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">David spoke of <\/span><em><span style=\"font-weight: 400;\">mishbarim<\/span><\/em><span style=\"font-weight: 400;\">, from the verb SH-B-R, to break, signifying breakers rather than more ordinary \u201cwaves\u201d (<\/span><em><span style=\"font-weight: 400;\">galim<\/span><\/em><span style=\"font-weight: 400;\">).<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Note the unusual verb he used for what the translators rendered as \u201ccompassed,\u201d namely, <\/span><em><span style=\"font-weight: 400;\">afafuni<\/span><\/em><span style=\"font-weight: 400;\">. If we relate it to the noun <\/span><i><span style=\"font-weight: 400;\">af<\/span><\/i><span style=\"font-weight: 400;\">, meaning nose, we may obtain the impression that David was saying\u2014essentially\u2014that the hazardous waters had reached his nose and that he was in imminent danger of drowning in them.<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Sheol, the netherworld, is possessed of ropes (\u201ccords,\u201d <\/span><em><span style=\"font-weight: 400;\">havalim<\/span><\/em><span style=\"font-weight: 400;\">), and its poetic synonym Death (<\/span><em><span style=\"font-weight: 400;\">mavet<\/span><\/em><span style=\"font-weight: 400;\">) is characterized by traps\/snares (<\/span><em><span style=\"font-weight: 400;\">mokshim<\/span><\/em><span style=\"font-weight: 400;\">, Modern Hebrew for landmines), indicating that they lie in wait, so to speak, for the unwary.<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">While the ropes encircled him, the snares \u201cconfronted\u201d him (<\/span><em><span style=\"font-weight: 400;\">kidmuni<\/span><\/em><span style=\"font-weight: 400;\">), from the preposition <\/span><i><span style=\"font-weight: 400;\">kodem<\/span><\/i><span style=\"font-weight: 400;\">, meaning in front of. However, it can be related, etymologically, to the word for the shinbone (Arabic: kadam, the forepart of the leg), suggesting that David was nearly \u201ccut off at the knees.\u201d<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Image: The Awakening by J. Seward Johnson, Photo by Ryan Sandridge, 2011, at Hains Point, Washington DC \/ wikipedia<\/span><\/p>\n","image":{"ID":61076,"id":61076,"title":"2sam22-The_Awakening_by_J._Seward_Johnson","filename":"2sam22-The_Awakening_by_J._Seward_Johnson.jpg","filesize":0,"url":"https:\/\/wp.929.org.il\/wp-content\/uploads\/2019\/08\/2sam22-The_Awakening_by_J._Seward_Johnson.jpg","link":"https:\/\/wp.929.org.il\/en\/davids-valedictory-a-poetic-analysis\/2sam22-the_awakening_by_j-_seward_johnson\/","alt":"","author":"7","description":"","caption":"","name":"2sam22-the_awakening_by_j-_seward_johnson","status":"inherit","uploaded_to":61074,"date":"2019-08-14 12:35:54","modified":"2022-11-06 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Valedictory: A Poetic Analysis","main_caption_size":"1","sub_caption":"Key, rich Hebrew terms deepen our understanding of the stark imagery employed","preview_embedded":"","preview_image":{"ID":61076,"id":61076,"title":"2sam22-The_Awakening_by_J._Seward_Johnson","filename":"2sam22-The_Awakening_by_J._Seward_Johnson.jpg","filesize":0,"url":"https:\/\/wp.929.org.il\/wp-content\/uploads\/2019\/08\/2sam22-The_Awakening_by_J._Seward_Johnson.jpg","link":"https:\/\/wp.929.org.il\/en\/davids-valedictory-a-poetic-analysis\/2sam22-the_awakening_by_j-_seward_johnson\/","alt":"","author":"7","description":"","caption":"","name":"2sam22-the_awakening_by_j-_seward_johnson","status":"inherit","uploaded_to":61074,"date":"2019-08-14 12:35:54","modified":"2022-11-06 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