{"id":55178,"date":"2019-05-10T08:44:13","date_gmt":"2019-05-10T05:44:13","guid":{"rendered":"https:\/\/wp.929.org.il\/?p=55178"},"modified":"2019-05-10T12:39:18","modified_gmt":"2019-05-10T09:39:18","slug":"a-lesson-in-biblical-poetry","status":"publish","type":"post","link":"https:\/\/wp.929.org.il\/en\/a-lesson-in-biblical-poetry\/","title":{"rendered":"A Lesson In Biblical Poetry"},"content":{"rendered":"<div class=\"entry-content\"><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[281],"tags":[],"acf":{"old_id":"55178","type":"no","iframe":"","writer":54356,"related_cahpter":"216","type_929":"2","show_author_image":false,"old_create_date":"","old_url":"","post_main_content":{"description":"The melodic magic of incremental repetition","content":"<p><span style=\"font-weight: 400;\">5:7 \u201cUnwalled cities <\/span><i><span style=\"font-weight: 400;\">ceased<\/span><\/i><span style=\"font-weight: 400;\">,\/ <\/span><i><span style=\"font-weight: 400;\">in Israel <\/span><\/i><span style=\"font-weight: 400;\">they <\/span><i><span style=\"font-weight: 400;\">ceased<\/span><\/i><span style=\"font-weight: 400;\">,\/ <\/span><i><span style=\"font-weight: 400;\">till you arose<\/span><\/i><span style=\"font-weight: 400;\">, Deborah,\/ <\/span><i><span style=\"font-weight: 400;\">till you arose<\/span><\/i><span style=\"font-weight: 400;\">, O mother <\/span><i><span style=\"font-weight: 400;\">in Israel<\/span><\/i><span style=\"font-weight: 400;\">.\u201d<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>This pattern of incremental repetition <\/b><span style=\"font-weight: 400;\">strongly marks this poem and is a hallmark of its archaic character. Incremental repetition is the most explicit form of development or intensification from the first half of the line to the second, a pattern in which something is literally added in the second verset.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">5:12 \u201cAwake, awake, O Deborah, awake awake, O speak (<\/span><i><span style=\"font-weight: 400;\">dabri<\/span><\/i><span style=\"font-weight: 400;\">) the song\u2026\u201d<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Yairah Amit proposes that the choice of the verb \u201cspeak,\u201d <\/span><i><span style=\"font-weight: 400;\">dabri<\/span><\/i><span style=\"font-weight: 400;\">, is motivated by the pun on the name Deborah. The phrase here is the increment in still another incremental repetition.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">5:19 \u201cKings came, did battle, then Canaan\u2019s kings did battle\u2026\u201d <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">This is another fine flourish of incremental repetition. \u201cThen\u201d is repeated through the poem, marking its narrative momentum\u2026<\/span><\/p>\n<p><span style=\"font-weight: 400;\">5:23 \u201c&#8230;they did not come to the aid of the Lord, To the aid of the Lord midst the warriors.\u201d <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">In this incremental repetition, it is evident that YHWH needs His human warriors in order to be victorious. The poem wavers in this fashion between understanding victory as a miraculous event and as the accomplishment of heroic deeds by brave warriors.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">5:24 \u201cBlessed above women Jael, wife of Heber the Kenite, above women in tents be she blessed.\u201d<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">This incremental repetition, by introducing an ostensibly automatic epithet for women with their domestic sphere, \u201cin tents,\u201d sets the scene for the killing with the tent peg.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">5:27 \u201cBetween her legs he kneeled, fell, lay, between her legs he kneeled, he fell, where he kneeled he fell, destroyed.\u201d<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">His death agony is a kind of grotesque parody and reversal of sexual assault, a common practice in warfare, as we are reminded at the beginning of verse 30. This triadic line is one of the most brilliant deployments of incremental repetition in the poem, culminating in the the climactic increment \u201cdestroyed\u201d at the end.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">From: Robert Alter, <\/span><i><span style=\"font-weight: 400;\">The Hebrew Bible, <\/span><\/i><span style=\"font-weight: 400;\">vol. 2: Prophets, W. W. Norton &amp; Co., 2019, ad loc.<\/span><\/p>\n","image":{"ID":54890,"id":54890,"title":"Alter-Cover","filename":"Alter-Cover.jpg","filesize":0,"url":"https:\/\/wp.929.org.il\/wp-content\/uploads\/2019\/05\/Alter-Cover.jpg","link":"https:\/\/wp.929.org.il\/en\/welcome-to-the-book-of-judges-unbridled-lust-implacable-hostility-mutual-mayhem\/alter-cover\/","alt":"","author":"7","description":"","caption":"","name":"alter-cover","status":"inherit","uploaded_to":54889,"date":"2019-05-05 07:18:18","modified":"2022-01-31 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