{"id":46014,"date":"2018-12-18T23:17:00","date_gmt":"2018-12-18T21:17:00","guid":{"rendered":"https:\/\/wp.929.org.il\/?p=46014"},"modified":"2022-07-12T16:04:21","modified_gmt":"2022-07-12T13:04:21","slug":"inside-outside","status":"publish","type":"post","link":"https:\/\/wp.929.org.il\/en\/inside-outside\/","title":{"rendered":"Inside\/Outside"},"content":{"rendered":"
<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[281],"tags":[690],"acf":{"old_id":"46014","type":"no","iframe":"","writer":36423,"related_cahpter":"114","type_929":"2","show_author_image":false,"old_create_date":"","old_url":"","post_main_content":{"description":"We are still wondering how to find the right words, in our own way and in our own rooms","content":"

The eminent art critic T.J. Clark\u2019s recent book <\/span>Picasso and Truth: From Cubism to Guernica<\/span><\/i> focuses much of its critical attention on one of the most vital setting for Picasso, and indeed for much of the literature and art that came of age in the nineteenth century and helped to define the twentieth; the room. Classical literature had taken as its subject the large doings of heroes and empires, stretched across the broad expanse of seas and planes. The turn towards realism brought art indoors, and the domestic space became the site and scene of drama; the epic relocated to the living room, with occasional excursions to the bedroom. The room, with its human choreography and array of details, became the world in miniature.<\/span><\/p>\n

Today\u2019s chapter is a short one that transpires both inside and outside. Its first half presents the Menorah and the Showbread in an almost ekphrastic rotation. These are the landmarks of the holiest space in Jewish life, the intimate inside of the Mishkan. We can feel the quiet around them, the flickering of the flames and the tantalizing bread-smell. <\/span><\/p>\n

The second half of the chapter moves to the town square and features the enigmatic incident of the blasphemer. It is a meditation on public space and the kinetic friction produced by the interface between private belief and communal norms. Speech can be broadcast at a wide range of frequencies, from the most intimate whisper to proclamations that can reach millions. It is one of the many paradoxes of the contemporary world that we value privacy as never before, even as we are more public than we have ever been. The incident of the blasphemer raises questions of surveillance, norms, and speech that have never quite been put to rest. <\/span><\/p>\n

We don\u2019t quite know what was said that day, but we are still wondering how to find the right words, in our own way and in our own rooms.<\/span><\/p>\n

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