{"id":43345,"date":"2018-11-04T19:16:47","date_gmt":"2018-11-04T17:16:47","guid":{"rendered":"https:\/\/wp.929.org.il\/?p=43345"},"modified":"2022-05-29T17:24:35","modified_gmt":"2022-05-29T14:24:35","slug":"the-sin-of-the-golden-calf-in-art","status":"publish","type":"post","link":"https:\/\/wp.929.org.il\/en\/the-sin-of-the-golden-calf-in-art\/","title":{"rendered":"The Sin Of The Golden Calf In Art"},"content":{"rendered":"<div class=\"entry-content\"><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":50634,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[281],"tags":[695,369],"acf":{"old_id":"43345","type":"no","iframe":"","writer":37927,"related_cahpter":"82","type_929":"2","show_author_image":false,"old_url":"","post_main_content":{"description":"Somber devotion or frivolity? False God - or false representation?","content":"<p style=\"direction: ltr;\"><span style=\"font-weight: 400;\">The three paintings displayed here, Franz Francken II&#8217;s <\/span><i><span style=\"font-weight: 400;\">Worship of the Golden Calf<\/span><\/i><span style=\"font-weight: 400;\">,<\/span> <span style=\"font-weight: 400;\">Raphael&#8217;s <\/span><i><span style=\"font-weight: 400;\">Adoring the Golden Calf<\/span><\/i><span style=\"font-weight: 400;\">, and James Tissot&#8217;s <\/span><i><span style=\"font-weight: 400;\">The Golden Calf<\/span><\/i><span style=\"font-weight: 400;\">,<\/span> <span style=\"font-weight: 400;\">all portray the infamous scene of the Sin of the Golden Calf. Each of the artists depict the story&#8217;s characters (the calf, Aaron, and the sinning nation) in unique ways, allowing for different understandings of both the nature of the nation&#8217;s sin and Aaron&#8217;s role therein.<\/span><\/p>\n<p style=\"direction: ltr;\"><span style=\"font-weight: 400;\">In Francken&#8217;s painting the Israelites worship the calf through revelry, as they dance and eat in its presence.<\/span><\/p>\n<p style=\"direction: ltr;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-43281 size-full\" src=\"https:\/\/wp.929.org.il\/uploads\/2018\/11\/ex32-Francken.jpg\" alt=\"\" width=\"846\" height=\"600\" srcset=\"https:\/\/wp.929.org.il\/wp-content\/uploads\/2018\/11\/ex32-Francken.jpg 846w, https:\/\/wp.929.org.il\/wp-content\/uploads\/2018\/11\/ex32-Francken-300x213.jpg 300w, https:\/\/wp.929.org.il\/wp-content\/uploads\/2018\/11\/ex32-Francken-768x545.jpg 768w, https:\/\/wp.929.org.il\/wp-content\/uploads\/2018\/11\/ex32-Francken-592x420.jpg 592w\" sizes=\"(max-width: 846px) 100vw, 846px\" \/><\/p>\n<p style=\"direction: ltr;\"><span style=\"font-weight: 400;\">In the images of Tissot\u2019s painting in contrast, the people kneel and pray.<\/span><\/p>\n<p style=\"direction: ltr;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-43285 size-full\" src=\"https:\/\/wp.929.org.il\/uploads\/2018\/11\/ex32-Tissot2-calf.jpg\" alt=\"\" width=\"825\" height=\"600\" srcset=\"https:\/\/wp.929.org.il\/wp-content\/uploads\/2018\/11\/ex32-Tissot2-calf.jpg 825w, https:\/\/wp.929.org.il\/wp-content\/uploads\/2018\/11\/ex32-Tissot2-calf-300x218.jpg 300w, https:\/\/wp.929.org.il\/wp-content\/uploads\/2018\/11\/ex32-Tissot2-calf-768x559.jpg 768w, https:\/\/wp.929.org.il\/wp-content\/uploads\/2018\/11\/ex32-Tissot2-calf-578x420.jpg 578w\" sizes=\"(max-width: 825px) 100vw, 825px\" \/><\/p>\n<p style=\"direction: ltr;\"><span style=\"font-weight: 400;\">The same is true of Raphael\u2019s work.<\/span><\/p>\n<p style=\"direction: ltr;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-43282 size-full\" src=\"https:\/\/wp.929.org.il\/uploads\/2018\/11\/ex32-Raphael.jpg\" alt=\"\" width=\"725\" height=\"600\" srcset=\"https:\/\/wp.929.org.il\/wp-content\/uploads\/2018\/11\/ex32-Raphael.jpg 725w, https:\/\/wp.929.org.il\/wp-content\/uploads\/2018\/11\/ex32-Raphael-300x248.jpg 300w, https:\/\/wp.929.org.il\/wp-content\/uploads\/2018\/11\/ex32-Raphael-508x420.jpg 508w\" sizes=\"(max-width: 725px) 100vw, 725px\" \/><\/p>\n<p style=\"direction: ltr;\"><span style=\"font-weight: 400;\">Exodus 32:6 supports both depictions, as it portrays the people engaged in both laughter and sacrifice, suggesting that the worship had elements of both somber devotion and frivolity.<\/span><\/p>\n<p style=\"direction: ltr;\"><span style=\"font-weight: 400;\">Nonetheless, the different tones of the works might also reflect conflicting understandings of the people&#8217;s intentions. Did the people view the calf as an alternative deity, worshiping it in the manner of idolaters replete with &#8220;merriment&#8221; and food? Or did they think of it as a vehicle through which to serve God Himself,<\/span> <span style=\"font-weight: 400;\">in which case frivolity might have played a lesser role? \u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"direction: ltr;\"><span style=\"font-weight: 400;\">Adapted from: ALHATORAH.ORG<\/span><\/p>\n<p style=\"direction: ltr;\"><span style=\"font-weight: 400;\">For fuller analysis, see: <\/span><a href=\"http:\/\/alhatorah.org\/Sin_of_the_Golden_Calf_in_Art\"><span style=\"font-weight: 400;\">http:\/\/alhatorah.org\/Sin_of_the_Golden_Calf_in_Art<\/span><\/a><\/p>\n","image":false,"embedded_video":"","video_duration":"","show_fb_comments":true,"credit_media":""},"tile":{"top_caption":"","main_caption":"The Sin Of The Golden Calf In Art","main_caption_size":"1","sub_caption":"Somber devotion or frivolity? 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